Author: Barbara Walters
Translator: Ki-dong Lee
Publisher: Preview
Hardcover | 780 pages | 231*168mm
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About This Book
From The Washington Post
Reviewed by Kathleen Matthews
Breaking news: Barbara Walters wears fake eyelashes, is afraid to drive,
gave up her black married lover to save her career (while his went down
the tubes).
These and other true confessions provide the tabloid interest through
600 pages of the network diva's new memoir, Audition. But it's her
heartfelt candor that lifts this book above mere titillation. Finally we
learn why Walters is so relentless. It's a question I've often pondered
watching her on television after beginning my own TV news career 30
years ago. In this engaging and chatty look back at a life largely lived
in public view, Walters provides the answer.
As Walters explains it, relentlessness is what comes from a nomadic
youth spent following her father's roller-coaster show business career
from Boston to New York and Miami. Lou Walters's night club, the Latin
Quarter, made him a Broadway legend, but he died in a Florida nursing
home, leaving his wife and developmentally disabled adult daughter to be
supported by Barbara, who was a single mom. Seeing her own career
through the lens of show business, living "just one bad review from
closing," Walters admits she always feared her hard-fought success would
be taken away. Hence, for all her stellar achievements, we understand
her compulsion to prove herself in a never-ending audition.
But blended with this personal drama is a delightful tale of the golden
age of television, including the stomach-churning contract negotiations
and network rivalries. Through 50-plus chapters, you feel as though
you've enjoyed a year of weekly lunches with Walters at Cafe des
Artistes, the famed New York hangout for ABC stars. She regales you with
juicy behind-the-scenes details of the celebrities she's interviewed,
mixed in with stories of her own trials and tribulations. In the end,
you envy her a little less and admire her more.
There are moments when you're tempted to groan -- she has a sycophantic
weakness for royalty and at times writes about herself as she would
about the Hollywood celebs she relentlessly profiles -- but she quickly
corrects course with unexpected candor that is completely disarming.
When I opened the chapter "Special Men in My Life," I was tempted to
say, "Spare me, please." But, honestly, who can resist hearing what it
was like to have "a long and rocky affair" with the elegant, married
African American senator Edward Brooke or date the future Federal
Reserve chairman Alan Greenspan ("a very nice dancer") and John Warner,
the Southern senator once married to Elizabeth Taylor?
By the time you finish reading Audition, Walters has won you over, and
you suspect she might be pleasantly surprised, like Sally Field winning
her Oscar: "You like me. . . . You like me!"
What you don't expect, after watching Walters's sometimes cloying
interview style and well-crafted TV personality for so many years, is
her self-reflection and self-effacement. You also don't expect such
breezy and clear writing. If Walters really wrote this memoir -- and I
suspect she did -- I'm impressed.
Her career began in the 1950s, when she worked behind the scenes at the
NBC TV affiliate in New York. She met other people who eventually became
media legends: ABC News chief Roone Arledge, CBS's Andy Rooney and New
York Times columnist Bill Safire. We watch Walters's ascent from
glorified tea pourer to "Today Show" co-host. Recalling relentless
public criticism from the critics and her male colleagues, she notes
with a chuckle an early Newsweek review of her interviewing style as
"dumdum bullets swaddled in angora."
More hurtful was the critique from legendary "60 Minutes" producer Don
Hewitt, who once told her, "You don't have the right looks. And besides,
you don't pronounce your r's right." Walters's speech impediment was
immortalized in 1976 on "Saturday Night Live" when Gilda Radner
proclaimed, "Hewwo! This is Baba Wawa." What really stung was not
Radner's caricature, but Time magazine noting that Walters was being
paid $100 for each minute of her "weadily wecognizable delivewy" as the
million-dollar co-anchor of ABC News. (She admits to trouble with her
r's but not her l's and says she went to a speech specialist early in
her career but couldn't shed the remnants of what she describes as a
Boston accent.) As for Radner's impersonation, Walters admits it was
dead-on and she was glad to have a chance to compliment the comedian
later.
Her years on the "Today Show" with Hugh Downs and Joe Garagiola were
among her best in television. But what followed was perhaps her worst.
NBC management paired her with Frank McGee and dictated that she jump in
only on the fourth question for big news interviews after he'd asked the
first three. Soured, she left to become the first woman network news
co-anchor for ABC, but this provided little relief as she faced the big
chill from co-anchor Harry Reasoner. She eventually found her oasis in
the "Barbara Walters Specials" and later "20/20" where her tenacity to
score the big interview was rewarded. Always the overachiever, she
created her own TV show, "The View," and, now in her 70s, she continues
her Academy Award and "10 Most Fascinating People" specials.
The best part of Audition is that Walters takes us with her on all the
big interviews. It's a bit like walking through her office or New York
apartment and hearing the stories behind the photos (many included here)
that showcase her with the biggest names from the past 50 years of
politics and entertainment: Judy Garland, Princess Grace, the Shah of
Iran, Golda Meir, Richard Nixon, Fidel Castro, Anwar Sadat, Menachem
Begin, the Dalai Lama, Cher. She shares the struggle of getting a good
interview with Warren Beatty and Mel Gibson. She admits her regret that
she never interviewed Jackie Kennedy, Princess Di, Queen Elizabeth or
the current and past popes.
Perhaps so many years of prying into the personal lives of others and
probing for vulnerabilities compel Walters to pull away the scabs of the
insults and injuries she's endured. Quite matter-of-factly, she re-lives
the heartbreak of three unsuccessful marriages. More poignantly, she
recalls the disappointments of several failed pregnancies and the
ecstasy of adopting Jackie, whom she named after her disabled sister.
"The Hardest Chapter to Write" describes her daughter's rebellious teen
years, when Jackie was derailed by drug use and ran away from home.
Walters shares these confidences with the blessing of her now happy
adult daughter to "give hope to other parents who are struggling with
their own adolescents' hard-to-understand emotions and rebellion." For
someone who lived her life on television, sharing these most painful
years, "which, in truth," she says, "I would rather not remember," is
perhaps the best therapy.
This, we now understand, is what Walters means when she tells aspiring
young people that if they want to pursue a career like hers, "Then you
have to take the whole package." I must admit, I was one of those young
women who cheekily wrote Walters a letter asking for advice after
college. I also rejected her well-known admonition that women "can't
have it all -- a great marriage, successful career, and well-adjusted
children -- at least not at the same time." In Audition, Walters shows
us the challenges she faced as a trailblazing, mostly single, working
mom. But she also inspires and entertains us with a life of
accomplishment.
Rose Kennedy once told her in an interview, "I know not age or weariness
of defeat," which aptly captures Walters's own sentiments as she faces
retirement. And that leads me to my last question: After writing this
book, has Walters done her last audition? Somehow, I think not.
Barbara Walters is the first woman ever to cohost a network news
program. She is the recipient of numerous awards, including a Lifetime
Achievement Award from the National Academy of Television Arts and
Sciences. An ABC News correspondent, she is also host of The Barbara
Walters Specials and the creator, cohost, and co-executive producer of
ABC Daytime’s The View. She lives in New York City.
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